Horse Feathers | film by McLeod [1932] (2024)

In Marx Brothers

…greatest comedies: Monkey Business (1931), Horse Feathers (1932), and Duck Soup (1933). Among their wildest, most anarchic efforts, the three films mercilessly lampoon moneyed society, higher education, and warring governments. They are again filled with Groucho’s verbal effrontery (in lines such as “Remember, men, we’re fighting for this woman’s honor,…

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Perelman

  • In S.J. Perelman

    …as Monkey Business (1931) and Horse Feathers (1932). Laura West, whom he had married in 1929, collaborated with him on several screenplays. Perelman also regularly contributed essays for The New Yorker magazine under such absurd titles as “Beat Me, Post-Impressionist Daddy” and “Methinks He Doth Protein Too Much.” Perelman collaborated…

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film by McLeod [1932]

Learn about this topic in these articles:

discussed in biography

  • In Norman Z. McLeod: Marx Brothers and W.C. Fields

    …reteamed with the brothers on Horse Feathers (1932), which was arguably funnier than Monkey Business. It follows the efforts of a college president (Groucho Marx) to assemble a winning football team. Both comedies were hugely popular and are considered among the Marxes’ greatest films.

    Read More

Mankiewicz

  • In Herman Mankiewicz

    Brothers’ Monkey Business (1931) and Horse Feathers (1932). Plagued by alcoholism, he wrote his last film, The Pride of St. Louis, in 1952. His brother Joseph was also a screenwriter and director. Mankiewicz’s struggles to write the screenplay for Citizen Kane were later dramatized in David Fincher’s film Mank (2020).

    Read More

Marx Brothers

  • Horse Feathers | film by McLeod [1932] (8)

    In Marx Brothers

    …greatest comedies: Monkey Business (1931), Horse Feathers (1932), and Duck Soup (1933). Among their wildest, most anarchic efforts, the three films mercilessly lampoon moneyed society, higher education, and warring governments. They are again filled with Groucho’s verbal effrontery (in lines such as “Remember, men, we’re fighting for this woman’s honor,…

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Perelman

  • In S.J. Perelman

    …as Monkey Business (1931) and Horse Feathers (1932). Laura West, whom he had married in 1929, collaborated with him on several screenplays. Perelman also regularly contributed essays for The New Yorker magazine under such absurd titles as “Beat Me, Post-Impressionist Daddy” and “Methinks He Doth Protein Too Much.” Perelman collaborated…

    Read More
Horse Feathers | film by McLeod [1932] (2024)
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